Review – Les Misérables, Let the People Sing – Theatre Royal Brighton 

From the very first chords of the overture to the rousing finale of “Do You Hear the People Sing?”, the current amateur production of Les Misérables is nothing short of a theatrical triumph. Staged at the Theatre Royal Brighton, this ambitious performance proves that passion, dedication, and community spirit can rival the grandeur of even the most professional West End stages. 

The cast, comprised entirely of local talent, bring Victor Hugo’s sweeping epic to life with remarkable heart and authenticity. In the pivotal role of Jean Valjean, James Harrington (who shares the role with Craig Whiteley) gives a powerhouse performance, capturing the character’s journey from hardened convict to selfless guardian with buckets of emotion and a rich, resonant voice.

Opposite him, Wayne Roberts as Javert has a commanding presence throughout, embodying the inspector’s relentless pursuit of justice with impressive gravitas. His amazing vocal performance in “Stars” is both haunting and humanizing, and his final scene is handled with great sensitivity and restraint, making it one of the most poignant moments of the show. 

The supporting cast, comprising no less than 76 performers, is equally strong. Amie De Valero Bragg shines as Fantine, delivering a heart-breaking “I Dreamed a Dream” that showcases both vocal talent and emotional depth. The Thenardiers, played with comic precision by Carl Lovejoy (who shares the role with Wain Douglas) and Lucia Romero Clark, provide much-needed levity without losing the edge of their characters’ underlying cruelty. Their rendition of “Master of the House” brings the house down, with generous helpings of laughter and applause. 

Special mention must go to the students manning the barricade, whose camaraderie and youthful energy injects vigour into every group scene. Chris Brown as Enjolras is especially compelling, leading the charge with conviction and a soaring voice, while Max Jenkins delivers tenderness and pathos in the role of Marius. The chemistry between Marius and Cosette (Nina Hayward) feels genuine and sweet, while Eponine’s heartbreak, portrayed by Mitzi Tullett, adds emotional complexity to the trio. Her solo, “On My Own,” is delivered with heartfelt passion and is enhanced by the superb projected backdrop of the empty streets of Paris. 

Another special mention must go to the junior members of the cast who all deliver their performances with a confidence that is far greater than their ages. The opening night team includes Aaryan Willmott who is simply superb as Gavroche and Juliette Mitchell-Gears who exudes vulnerability as the young Cosette. 

The production values are very impressive for an amateur production, which features performers from Brighton Theatre Group, Brighton and Hove Operatic Society, The Rattonians and Worthing Musical Theatre Company. Clever use of minimal sets, thoughtful lighting, projected backdrops and atmospheric effects help to transform the stage into the streets of 19th-century France very well. Scene transitions are smooth, and the barricade sequence is staged with real impact, thanks to excellent coordination, atmospheric special effects and dramatic battle choreography. 

Musical direction is another strong point in this production. The sizable live orchestra support the vocal performances beautifully, maintaining tight pacing and emotional momentum throughout the show and filling the auditorium with Boublil and Schoenberg’s sumptuous and dramatic score.  

Although this is an amateur production it certainly has professional polish, and more than enough passion and heart. The commitment of the cast and crew radiates from the stage, reminding us why Les Misérables remains such a beloved and timeless piece. It’s a story of redemption, love, sacrifice, and the enduring human spirit—and, in this rendition, every bit of that spirit is on display. The spontaneous full house standing ovation, as the last musical notes fade away, is both well deserved and heartfelt and leaves members of the cast visibly moved. 

In short, this amateur production of Les Misérables is an inspiring reminder of the tremendous power of community theatre. Bravo to the entire team for an unforgettable evening. 

*****    Five Stars