Your Lie In April

To begin, Your Lie In April is based on the manga of the same name by Naoshi Arakawa, with which I am unfamiliar, so I cannot draw any direct comparisons. However, audience members did say that the characters of Ryota Watari and Tsubaki Sawabe, performed by Dean John Wilson and Rachel Clare Chan, had been cut down considerably. This is to be expected when translating a series into a musical format, as some adjustments and condensing are necessary to fit the story within a stage production’s time limits.

The music, composed by Frank Wildhorn, with lyrics by Carley Robyn Green and Tracy Miller, beautifully complements the narrative, enhancing the emotional depth and connecting the audience to the characters’ journeys. The book, written by Riko Sakaguchi, effectively captures the essence of the story, ensuring that even those unfamiliar with the manga can fully appreciate the tale.

The set design is nothing short of breath-taking, with pink Sakura blossoms framing the proscenium arch, creating a visually stunning entrance to the world of the play. Justin Williams, the Set Designer, placed the grand piano at the centre of the stage, making it a focal point that draws the audience’s eye. The rest of the set evokes traditional Southeast Asian aesthetics, featuring an arched bridge and steps reminiscent of a torii gate. Shoji screens on the sides and upstage serve as canvases for intricate projections. Dan Light, the Video Designer, has used these projections to blend various locations seamlessly, adding depth and dimension to the scenes.

The cast is phenomenal, marking a historic moment as the first 100% Southeast Asian cast in a West End musical. Zheng Xi Yong shines in the role of Kosei Arima. His live piano performances on stage are particularly impressive, showcasing not only his musical talent but also his ability to convey the character’s complex emotions. His portrayal of Kosei’s awkwardness is both endearing and relatable, enhanced by his expressive voice and some of the ‘cooler’ dance moves that capture the character’s awkward youthful energy.

Mia Kobayashi, as Kaori Miyazono, delivers a stunning performance throughout the show. Her chemistry with Zheng Xi Yong is palpable, making their scenes together particularly moving. Nick Winston, as both Director and Choreographer, has done an excellent job in guiding Kobayashi’s transitions with the violinist, ensuring that her onstage movements are fluid and natural, further enhancing her portrayal of Kaori.

As mentioned earlier, Rachel Clare Chan’s portrayal of Tsubaki Sawabe, while present on stage frequently, has limited opportunities to fully develop her character. Despite this, Rachel’s performance is heartfelt and resonates emotionally with the audience. Her ability to convey deep emotions and humour in her limited scenes is commendable, and it leaves the audience wishing for more moments that showcase Tsubaki’s character arc.

Nick Winston has created a truly beautiful production of this heart-breaking coming-of-age story. The combination of a talented cast, stunning set design, and thoughtful direction makes this musical adaptation a memorable experience. The emotional depth, cultural authenticity, and artistic excellence make this a must-see production for both fans of the manga and newcomers alike.

This show was reviewed on the 5th July 2024 at the Harold Pinter Theatre where the show runs until the 21st September 2024.  Tickets available here: Your Lie In April – The Musical

***** stars

Valentine Gale-Sides

Join Valentine every Tuesday from midday for ‘The Musical Lunch Box’ here on Box Office Radio

AD/Gifted

Photo credit: Craig Sugden